It makes me wonder why Apple didnt just mask the corners of the screen in Big Sur (as they were on the original Mac) to make them feel equally curved.
Open Trackpad For Handwriting Software That DrivesTwo decades ago Apple parked the sixteen-year-old Classic Mac OS and leaped to version 10.0, but four years ago the company rebranded the software that drives the Mac as macOS, and the writing was on the wall.And now in 2020 its macOS Big Sur, version 11.0.The name is an extension of Apples use of California places to brand its Mac releases, but the version number is the real story. With huge changes to Mac hardware looming on the horizon, Apple has made the biggest design changes to macOS since the launch of Mac OS X. Open Trackpad For Handwriting Update In AIt broke a lot of old software, frustrated a lot of users, and generally had the worst reputation of any macOS update in a decade. I see you, Mac OS X Lion.) Did Apple sacrifice Catalina so that future OS updates wouldnt be blamed for them Thats probably a conspiracy theory too far, but I will say this: Good Cop macOS Big Sur fills me with excitement about the future of the Mac in a way Bad Cop Catalina never did. There are definitely some aggressive, challenging changes in the macOS Big Sur design that will throw long-time Mac users for a loop. And I expect that some of them will end up getting re-thought by Apples designers, if not this summer than over the next couple of years. Big Surs design has a lot of rough edges, but it also has a lot of potential. If the atom of the Mac interface is the window, then Apple has split the atom in Big Sur. The first time you look at a Finder window in Big Sur, you will realize that the Mac you have known for years is gone. Lets start with the sheer lightness (or in Dark Mode, darkness) of it all: the gray gradient of the title bar and toolbar is gone, replaced by a white (or very dark gray) space thats populated with the contents of both the title bar and toolbar, collapsed into a single row of items. Toolbar icons are simple glyphs that only gain an outline when you mouse over them. The title, once centered, has been aligned to the left and made bolder, with its icon hidden (until you mouse over). The Back and Forward buttons are perched on the extreme left, even beyond the title of the window. The Search box is now gone, collapsed by defaultyou must click the Search icon to make it appear. Previously, a normal Mac window was best thought of as a single space with a title bar and toolbar spanning its entire width, and within it could be a content area or a sidebar and content area. But if you have a window with a sidebar in Big Sur, the geography is different. The window is instead sectioned in two, with the sidebar and the redyellowgreen traffic light buttons on the left (with a slightly translucent background), and the title bar, toolbar, and content area on the right. The appearance of colored glyphs in sidebarsfavorites in the Finder are blue, for exampleis a pleasant addition. It also appears in sidebars as a way to collapse or expand lists of sub-items, replacing the word Hide that appears in Catalina.). Theres much more space between the redyellowgreen traffic light buttons and the edge of the window, and the same is true of the additional white space above and to the right of the title barstoolbar. The title bar will be white (or dark gray), and the title font is now bold, but the title is still centered and theres none of the additional padding thats been added to new-style Big Sur windows. Apple has also made the menu bar taller (as well as making it distractingly translucent). The menus themselves now sport curved edges at the top (which seems wrong metaphorically), and theres additional space between each menu items. I wonder what this design decision means for the future of tiny Apple laptops. I know Id be frustrated if my old 11-inch MacBook Air was this inefficient with space.
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